The Skolney Blog

1996: The 90s was a golden age of movies made in Minnesota. My personal favorite is Beautiful Girls, but a movie being made here at the same time is pretty much the unquestioned most significant film of the era. Fargo, written and directed by local boys Joel and Ethan Coen, is widely acclaimed as one of the best films of the decade. Somehow, I didn't see this in theaters, at least not at the time (I did see a 25th anniversary screening). I have no idea how that happened. I knew the Coens. The movie got a lot of attention. Siskel and Ebert raved about it. The very beginning of the movie says it's based on a true story. It's not, but that's the kind of thing you could still get away with in 1996. It's a whole complicated kidnapping plot, where William H. Macy hires a pair of crooks (Steve Buscemi, Peter Stormare) to kidnap his wife, to ransom money from his father in law. Everything goes haywire, and people die, and in comes police chief Frances McDormand ...

In theaters: WUTHERING HEIGHTS Emerald Fennell started the decade with the great Promising Young Woman, but that's starting to look like a bit of a fluke. She no doubt takes a big swing with this film, and it's not some standard stuffy literary adaptation. But it is entirely a style over substance situation, and at well over 2 hours, it becomes quite dull. Margot Robbie tries.  THE BRIDE Speaking of a big swing by a female director that winds up way more style over substance, we have Maggie Gyllenhaal's Frankenstein movie. Jessie Buckley is a wonderful, now Oscar winning actress. But the wild overacting she does in this is just not in her wheelhouse. It's a film that occasionally comes to life (ha ha), but too often is just obnoxious.  READY OR NOT: HERE I COME Really liked the original Ready Or Not, one of those movies that makes it look easy. This belated sequel goes the John Wick route, expanding the lore in a big way. I'm not sure this is a case where the lore i...